Walk into any artist's studio, and you're sure to find a bottle or two of drawing ink. Ink is an invaluable tool for artists due to its dark color, permanence, versatility, and compatibility with a wide variety of media. But ink is not limited to professionals: students, hobbyists, and even those who just enjoy the feel of using ink straight from the bottle can enjoy a good bottle of drawing ink. We’ve tested our full selection of drawing inks with a nib and brush to let you make an informed choice.
Choosing an ink that works well for your needs is critical. Knowing ahead of time if your ink is waterproof or marker-proof, will fade with erasing, or is prone to any other issues can save a great deal of headache later on. Below is a breakdown of the major properties many artists and calligraphers look for in their ink.
Feathering is when ink spreads out on the drawing surface, creating blurry and indistinct lines. While feathering can be caused by the paper or nib, the ink plays an important role, too. Often, quick-drying inks are more prone to feathering, as they wick into the fibers of a page instead of sitting on the surface.
Not all black inks are created equal, and darkness is a key difference. Some inks are specifically formulated to be extra dark, while others can appear almost gray.
You can adjust darker inks to be lighter by diluting them with water for ink wash effects. Conversely, a diluted ink can be darkened by adding more of the base ink.
However, note that you can't deepen the color of an undiluted ink. For example, an ink that is formulated to be dark gray in color cannot be darkened by adding more of the original ink. We also don't recommend mixing different inks together: they may react to each other in unexpected ways, and characteristics like gloss and viscosity can change.
Gloss refers to the shine an ink has once dry. An ink can be glossy, semi-glossy, or matte. Glossy inks generally sit on top of the paper instead of absorbing into the surface, so they’re unlikely to dry in a flash. Glossiness can also depend on how much ink is on the page; some inks can be glossy in thick application and more matte with a thinner coat. For those who like to use white ink to tidy mistakes, we noticed white gel pen application is a little more temperamental on glossy inks.
All inks are liquids, but some feel particularly wet, some are comparatively thin and dry, and others have a slightly sticky sensation. Sometimes a wet ink sinks faster into a page, or a thicker ink sits atop a page and dries to a raised texture that can be felt with a fingertip. How an ink feels to write with is such subjective data we haven’t put it into a table, but we note it in the product recommendations where we can. You can also check our test results: we standardized our writing tools, so a thicker line or feathering means a wetter ink.
While ink applied with a brush generally goes on thinner and dries faster than ink applied with a nib, some inks simply dry faster, which means a high resistance to smearing and smudging.
Dry time is heavily dependent on your mark-making tool, line size, and paper type. Be sure to test before you dive into a project with a tight deadline.
Some inks can be reactivated by various solvents such as water or alcohol. Solubility is important to know ahead of time if you hope to use your ink with materials such as watercolors or markers, which can contain water- or alcohol-based ink. We tested water-based and alcohol-based markers, specifically the popular Copics, with all inks.
Because of binders such as clay or wax used in pencil leads, some inks will resist drawing atop them, creating grayed out lines due to the pencil beneath them. In our tests, all inks wrote smoothly over the graphite of a Uni Mitsubishi Hi-Uni HB Pencil and the blue lead of a Uni Arterase Aqua Color Pencil.
Your results may vary if your pencil lines were made with more force or you use a particularly waxy brand of colored pencil—read our guide to non-photo blue writing tools for more recommendations.
When an ink becomes visibly lighter due to erasing, this is called lifting. Nothing is worse than erasing a finished drawing only to find that half of the ink has come off, too. Lifting will vary depending on the thickness of an ink’s application—ink washes are often more vulnerable than bold lines from a nib—and the vigor with which you erase. In our tests, most inks were unaffected by the erasing necessary to remove a pencil line, but could still be lightened by more forceful scrubbing.
Though technically this isn’t true lifting, erasing can sometimes dull the gloss of an ink. We’ve noted that where relevant in our test results. Be sure to get an effective eraser; our favorites are showcased in this guide.
If an ink is water resistant, it’s usually going to be difficult to clean off a nib. Quick-drying inks also make cleaning more urgent. Luckily, if you start cleaning before an ink fully sets, ink stains are cosmetic and don’t affect how a nib writes.
Try a soak in pen cleaner to get your nibs like new again. For stubborn stains, one can also scrub nibs with rubbing alcohol and a soft toothbrush. If you prefer inking with brushes, a brush cleaner is equally invaluable.
Finding the right ink can be a long and costly process for many artists. We've simplified the process by highlighting some of our top performers. Comprehensive test results can be found in the test results section of this guide.
Dark inks are great for scanning and digital coloring, as they scan cleanly and little editing is required to get crisp, clean lines. These inks are as dark as they come.
The Deleter Black 4 Manga Ink lives up to its Extra Dark name and was the darkest of the inks tested (though not by much). The Black 1 and Black 2 were also very dark; while Black 1 dried faster, Black 2 was slightly darker and glossier. Black 2 is a more viscous ink that dries to an interesting raised texture when applied thickly with a nib, while Black 1 and 4 are thinner inks that dry a little flatter on the page.
Kaimei Drawing Pen Ink was also incredibly dark, and while it is not water-safe it is Copic-safe. It showed no lifting at all when erased and feels crisp and energetic to draw with. It is, however, slow to dry, so it’s not for those paranoid about smudging.
Dr. Ph. Martin's Black Star Hicarb India Ink is packed with carbon black pigment for a void-like finish with a tiny amount of gloss. We found it to lift slightly when applied with a brush, but lines made with a nib had no problem. While this ink smudges a little under alcohol-based markers, it’s perfectly water-safe. The neck of its bottle can be a little awkward to dip a nib into; put it in a different container, or use the included eyedropper to drip ink onto your nib instead.
The Kuretake Black Manga Ink lifted slightly more than the other darkest inks, but was still one of the darkest, both with a nib and a brush. It shrugs off water, but nib lines smear under Copics.
These inks convey a sense of quality and professionalism with a beautiful gloss finish. Please note that glossy inks will look lovely in person but may take extra effort to photograph or scan.
The Kaimei Drawing Pen Ink had a beautiful glossy finish on the paper we used. It’s reactive to water, but stays crisp under Copics. Note that it will be much less glossy if applied lightly with a brush. Erasing had no effect on the gloss finish.
Like on almost all of our glossy inks, on this ink a white gel pen “railroaded,” creating two thin, parallel lines instead of a solid one.
Deleter Black 2 Manga Ink had a wonderful gloss finish even when applied with a brush. It is also marker-safe, though erasing does dull the gloss finish somewhat. When writing or drawing, this ink has a slightly “sticky” feel to it. Nib lines dry a little raised from the page and can be felt with a fingertip.
In addition to being very dark, the Kuretake Black Manga Ink also had a beautiful gloss shine when it dried. Unlike the previous picks, it resists water and smudges under Copics. It also lifts a little more, though only when applied with a brush. Strangely enough, it didn’t give gel pens any trouble. Thick lines from a nib dry slightly raised.
The Kuretake ZIG Cartoonist Sumi Ink 60 is ultra glossy and resistant to lifting. Unlike the Kuretake Black Manga Ink, the Cartoonist Sumi Ink follows the common glossy ink pattern of being Copic-proof and vulnerable to water. It also writes a little “drier” than the Manga Ink and seemed more suited to fine lines, though it also actually dried a little more slowly. This ink also dries with a slight 3D texture on heavy nib lines.
For artists who prefer matte inks, several stood out due to their beautiful, velvety finishes. While many inks can appear glossier when applied with a nib, the following inks retained their matte quality regardless of how they were applied.
Speedball Super Black India Ink had a deep black color with a beautiful matte finish, and was completely water- and Copic-proof. It also dried quickly and doesn't budge if erased. We find it to be a nice beginner ink.
Kaimei Black Manga Ink was a beautiful velvety black, highly resistant to water and completely resistant to Copic markers. Erasing has a slight effect on its finish, making it minutely more reflective. Erasing also lifted lightly applied ink. Drawing with this ink feels energetic and bold without sacrificing delicate fine detail, and thick nib lines dry with a faint raised, toothy texture.
Higgins Eternal Ink was slightly gray with a cool undertone, but was completely marker-safe and appeared slightly dappled when applied with a brush. It smears quite a lot under water, but lines stay legible, so you may find it can be used for fun ink wash effects. It lifts very slightly under erasing and, because it’s so reactive to water, it will tint water-based inks (like a white gel pen) a little gray when they’re applied over it. It’s a thin, smooth-writing ink that’s fun to draw with.
Dr. Ph. Martin's Black Star Matte India Ink dries to a flat black that’s about as dark as its Hicarb sibling. It also only lifts with thin application, and it’s resistant to both water-based and alcohol-based markers. One warning: if you heavily layer this ink or overlap lines, you may see a glimmer of shine.
When adding color to your drawing, you'll want to know ahead of time if your markers or watercolors are going to ruin your beautiful ink lines. These inks are safe to use with both water and alcohol-based markers, making them some of the most versatile inks around.
In addition to its waterproof name, the Deleter Black 4 ink is also alcohol-marker-proof. The deep glossy black color is highly resistant to lifting from erasing, and dries fairly quickly. This ink was one of the top overall performers in all tests.
Kuretake ZIG Cartoonist Super Black Ink 60 is just as dark as Deleter Black 4 and totally nonreactive under water and Copics. It lifts only where thinly applied, though erasing also dulls its semi-gloss sheen. We found its dry time is a little faster than Deleter Black 4. While it’s very opaque with a dip pen, if you’re using a brush, it can start applying a little transparently—re-ink frequently if this would bother you. Dip pen lines dry slightly raised.
The J. Herbin Dip Pen India Ink performed admirably, with no smearing at all when water and markers were applied. While it lifted very slightly with vigorous erasing, the incredible deep black color and semi-gloss finish make it a personal favorite. Be sure to fully mix the ink before use—it’s prone to separating, and without mixing will apply dark gray and matte. When properly mixed, thick lines can have a subtle raised texture. We also found that heavy swaths of this ink dried with a slight mottled effect. If you dislike this effect, it can be mitigated with another coat of ink.
Smudging and smearing can be a real problem for artists. A single smeared line on your artwork might mean restarting your entire piece. Fear not, as these fast-drying inks will help keep your art smear free. We caution that quick-drying inks can clog nibs if you like to pause in your writing and drawing, and usually necessitate timely cleaning.
Higgins Black Magic Ink was the fastest drying of all of the Inks, and was dry almost immediately. Additionally, it is both water and marker-safe, and resists erasing very well. Unfortunately, it’s also a wet writer prone to feathering on many papers, and might be better described as “dark gray” than “black.”
Tachikawa Jet Black Ink dried in a flash. It’s also super dark and doesn’t budge under water or marker—this ink is the total package! It’s matte unless applied very thickly, and lifted only when very thinly applied. We’re especially fond of its wide-neck bottle, which is easy to dip a nib into and, since it’s made of heavy glass, comparatively difficult to knock over. However, we’ll caution that this bottle doesn’t hold very much ink, making this our most expensive recommendation when ranking price per milliliter. You may find that it’s worth it—this ink certainly feels fun and dynamic to draw with.
The Kuretake Black Manga Ink also dried quickly, with only minimal smearing after ten seconds and none after a minute. It has a deep glossy black finish and is completely waterproof. Brush application lifts noticeably after erasing, and nib application can be smudged by Copics.
The J. Herbin Dip Pen Authentic Ink is an Iron Gall ink, made with traditional methods that use iron shavings and plant galls. Because of its acidic nature is not an archival ink. When applied, the J. Herbin Authentic Ink creates a beautiful dappled effect along with interesting ghosting. It is a must-have for historical recreations and an amazing ink to work with. Be sure to use high-quality paper, as it likes to wick through fibers and bleed through the page.
Tests of all of our drawing inks, excluding colorful, metallic, and white inks, were performed on Deleter Comic Paper. Some results like feathering and dry time are likely to vary on other papers.
For all resistance tests, inks were allowed to dry overnight. Tests were performed on both nib and brush lines made using the Speedball C4 Nib and a Royal & Langnickel Series 83 Round 4. The Speedball C4 nib has a width of about 1.1mm, similar to the nib used in our standard fountain pen ink tests. We swabbed each ink with a water brush, a water-based Tombow Dual Brush Pen, and an alcohol-based Copic Sketch Marker. We also dipped each ink test in water for thirty seconds to test the worst-case scenario of a spill or flood.1
While we tested all inks with nib and brush over light swatches of graphite and blue pencil, none reacted. As such we have excluded these results from the test tables.2
Darkness and gloss were judged by relative comparison, though you can also see darkness in our feathering and resistance tests above. Dry time was tested using nib lines checked at 1 and 2 minutes.
To test lifting, we drew a line with a Uni Mitsubishi Hi-Uni HB Pencil over our ink tests and erased until the line was gone with a Sakura Arch Foam Eraser. Lifting tests were performed on both nib and brush marks as in the resistance tests.
Our lifting tests were comparatively gentle, so we want to warn you that lifting is always more noticeable on ink applied with a brush and on large swaths of black. We recommend sketching lightly and erasing before painting in spot blacks.
To test white gel pen compatibility, we used our favorite Uni-ball Signo Broad UM-153 Gel Pen over ink swatched with a brush.
Drawing inks come in a wide variety with many different qualities. While many artists develop favorites over time, some drawing inks are better suited for specific purposes. What kind of ink do you prefer? Tell us in the comments below!
1 Many inks were unaffected by dip testing but smear under water brush or water-based marker. This is an interesting demonstration of the role of pressure in smearing. ↩